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・ Edward Ambrose Burgis
・ Edward Ambrose Dyson
・ Edward Ambrose Gumbs
・ Edward Amoore
・ Edward Amy
・ Edward and Caroline
・ Edward and Elaine Brown
・ Edward and Elizabeth Heimbach House and Carriage House
・ Edward and Friends
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・ Edward Anderson
・ Edward Anderton Reade
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Edward Andrews
・ Edward Andrews (disambiguation)
・ Edward Andrews (High Sheriff of Rutland)
・ Edward Angel
・ Edward Angell
・ Edward Angelo Goodall
・ Edward Angle
・ Edward Angus Burt
・ Edward Angus Powell, Jr.
・ Edward Anhalt
・ Edward Aninaru
・ Edward Anseele
・ Edward Anson
・ Edward Anthony
・ Edward Anthony (photographer)


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Edward Andrews : ウィキペディア英語版
Edward Andrews

Edward Andrews (October 9, 1914 – March 8, 1985) was an American stage, film and television actor. Andrews was one of the most recognizable character actors on television and films during the 1950s into the 1980s. His stark white hair, imposing build and horn-rimmed glasses added to the type of roles he received, as he was often cast as an ornery boss, a cagey businessman, or a strict disciplinarian of some type. In Italy, Andrews was dubbed with the voice of Italian actor Carlo Romano.
==Life and career==
He was born in Griffin, Georgia, the son of an Episcopal minister, and grew up in Pittsburgh, Pennsylvania, Cleveland, Ohio, and Wheeling, West Virginia. As a child, he attended Pittsburgh's Nixon Theatre and would nab a balcony seat so as to catch a good view of the 'headliners'. At the age of twelve, he did a walk-on in a stock theatre production which featured James Gleason and he was 'hooked' on an acting career.
He attended the University of Virginia, and at age 21, made his stage debut in 1935, progressing to Broadway the same year. During this period, Andrews starred in the short-lived but very well received military drama ''So Proudly We Hail'' in the lead role opposite Richard Cromwell. In 1936, Andrews debuted in the film ''Rushin' Art''. However, it was not until 1955 that he appeared in his second film. He was cast as the subversive and corrupt character of Rhett Tanner, head of a knock-them-off political machine, in ''The Phenix City Story''.

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